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Only 34 at the time that he wrote his first play, Jitney, August Wilson may or may not have known just how the emotion-driven...
How Jan Hurst's personal tragedy let to renewed faith, to Voyage Media, and to a film shoot in Hollywood.
The problem with Seattle's Intiman Theatre following (not for the first time) the hysterical-panic fundraising playbook first pioneered by Oral Roberts.
On the moral conundrum presented by Austrian writer Peter Handke, eulogist of Slobodan Milosevic and winner of the 2019 Nobel Prize in Literature.
In Veronica Raimo’s novel "The Girl at the Door," there's a fine line between admiring a culture and alienation from it.
Composer Michael Kooman and book writer/lyricist Christopher Dimond celebrate their "average" world-premiere CD.
But why salt so much dialogue with, like, annoyingly contemporary expressions?
Looking to ancient drama to comprehend the incomprehensible.
How 24 newspaper writers teamed up 50 years ago to create the sex-soaked novel "Naked Came the Stranger."
The story of the first Black deputy US marshal west of the Mississippi is coming to the screen.
Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.
There's a desire to respect their differences and to work out where they go next -- together or separately.
We should all celebrate voices -- even those not necessarily our own.
A show returns to critical-darling status...if you can forgive Stephen Dorff's wig.
A veteran TV writer-producer and "old white guy" explains his new play -- about Millennials.
I used to think this was a great play. Now I fear it's a great play wrapped in a gimmick.
Just because a play delivers "excellence" doesn't mean it delivers "impact."
The Arab-Israeli conflict rages on, making a TV version of John Le Carre's 1983 novel sadly relevant.
Isn't the whole idea of art to trigger something emotional?