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The playwright thinks he’s offering us shocks. They register more like mild nudges.
Where they elite meet to...not care about anyone but the elite. As usual.
The artist takes over a lavish Chicago mansion, for a contemporary twist on Gilded Age excess.
They'd have a lot to teach him. If only he'd watch them. And none are by white guys.
Teenagers with well-grounded values is the best part of the play. Then there's the rest of it.
A billionaire paying exorbitantly for a Basquiat is a bad reason to dedicate an exhibition to it.
"Taxes on wealth should be global and progressive."
I forget. Do straight people wear tights?
Please don't condescend to me by calling me an asset. Consider me a vendor.