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On this episode, we also discuss Tara Reade -- and no, not Tara Reid of drunken exploits and "American Pie" and "Sharknado."
"The Glorious Death of Comrade What's-His-Name" is based on a 1928 play, "The Suicide," by Nikolai Erdman, who was later exiled to Siberia.
An update on the inaugural class of Duke University’s two-year MFA in Dance: Embodied Interdisciplinary Praxis.
Will a piece of paper forever change how we talk about arts education? Probably not. But it's a very, very good place to start.
In Bong Joon-ho’s award-winning film, fear is coming from inside the class system. And we know who's being terrified by it the most.
If we're to subject arts philanthropists to sniff tests, let's be consistent about it.
"What does it mean to be an 'American'?" Philip Roth had an idea -- one that runs through all our literature.
Looking back on more than three decades creating community and drama around the world using the techniques of the Theatre of the Oppressed.
With the Indian Child Welfare Act (ICWA) under right-wing attack, Mary Kathryn Nagle sounds the alarm.
They don’t just nurture plays. They nurture the Native artists who flock to the refuge on the hill.
This kind of work could become prevalent in America. Why isn't it?
A second annual compilation of international and US-based artists making a difference.
Where success will be measured by positive social change, not just reviews.
They'd have a lot to teach him. If only he'd watch them. And none are by white guys.