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Greg Mullavey Tackles Titus Andronicus

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"The consequences of violent payback."

Art, Energy, Cultural Change: A Discussion with Barry Lord

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His new book, Art and Energy: How Culture Changes connects energy sources, cultural values and art.

Out, Out!: Branagh “Macbeth” a Grand, Flawed Spectacle

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The Scottish play turns ticket buyers into clan members.

To Play It Straight, Look to Biology

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Tasking an actor with playing sexual identity is perfectly acceptable.

To Philip Seymour Hoffman, With Gratitude and Anger

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Was he really "the greatest actor of his generation"?

Free to Be: Political Theater (Part 6)

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The theater must not become an island for asses.

Rylance’s Richard III: The Very Model of a Time Machine

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The art seems to emerge from the artifice.

9 “Hidden Performances” Around New York City

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All over the city, non-traditional performances can surprise and delight.

No Red Herring: “Hamlet” as Scandinavian Thriller

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Polonius is far from foolish. Ophelia is not just a "nice girl."

Will “Bullets Over Broadway” Shoot Close? Plus Two Blind Items

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Sexy boy-toys vs. handsome young companions

Photographer Rebecca Drolen Lets Her Hair Down

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Hair - and the lack of it - has power.

Burgtheater Experiences the Bard and Debt

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National treasure, while honoring Hamlet's ghost, suffers specter of stark economy.

Romeo and Juliet: A May-November Love Story in Purgatory

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Romeo has never been this sexy or probably this old.

Tossing Back a Terrific “Tempest” at the Delacorte

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Extending Joseph Papp's bow to the Public.

Watching Shakespeare and Remembering Wagner

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Vienna also mourns cultural icons, takes on politics.

Seasons Come, Seasons Go, But Theater is Forever

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What lies ahead on the road to Broadway, off- and off-off always looks bright in the Fall.

Waiter, Is It July Yet? Broadway’s New Season Burps and Belches

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Selling Broadway to the unwashed and unwary.

Shakespeare, London and a Good Pair of Boots

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How a good pair of boots connects Shakespeare to contemporary playwrights.

Providing Fresh SoCal Air for “Much Ado About Nothing”

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Joss Whedon gives Shakespeare's comedy a nicely balanced Hollywood garnish.
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Herman Cain (and Republicans Unable)

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And then there was Jerry Falwell, Jr., with his open pants, evangelical FUPA and his hands veering into prime side-boob territory with -- hey, doesn't she have a name?