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I used to think this was a great play. Now I fear it's a great play wrapped in a gimmick.
The story of the show is as offensive as the story being told.
Just because a play delivers "excellence" doesn't mean it delivers "impact."
With Tyne Daly and Tim Daly reaching new acting heights, what is the playwright afraid of?
Isn't the whole idea of art to trigger something emotional?
Director John Doyle's revival, starring Raúl Esparza, clumsily ties to our current political nightmare.
His American tour served him as he wrote the stage comedies that gave him lasting literary currency.
...it may well be the best play of the last 10 years.
The power of emotion goes beyond the voting booth. You'll also find it at the box office.
With one extraordinary performance, the three-time Tony winner seems to ask two questions.
Former journalist turned playwright Michelle Kholos Brooks explores a grim historical footnote.
A play about a Nazi (former Nazi?) who helped America to put a man on the moon.
"Hurricane," "Forever Young," “Like a Rolling Stone” -- but not always where you'd expect them.
Even just her name still connotes outsized emotions.