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But why salt so much dialogue with, like, annoyingly contemporary expressions?
The hard elegance of the performances -- especially Tom Hiddleston, in his Broadway debut -- are a potent factor in the overwhelming success of this revival.
Looking to ancient drama to comprehend the incomprehensible.
There must be method to playwright Halley Feiffer's current madness.
Despite predictable drawbacks, Chris Urch's theatrical indictment is an important work of art.
With the Indian Child Welfare Act (ICWA) under right-wing attack, Mary Kathryn Nagle sounds the alarm.
Danny Rocco's sprawling experimental history play proves that everything new is old again.
The playwright thinks he’s offering us shocks. They register more like mild nudges.
Playwright Terrence McNally can be greatly thanked -- especially in the light of the moon.
An intertribal, Indigenous sketch-comedy troupe exposes a deep cultural scar.
Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.
Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.
You have a tough scene late in the play. You probably know it -- what you do at the end of it.
How an actor who has always been a writer became a writer who has always been an actor.
There's a desire to respect their differences and to work out where they go next -- together or separately.
...then the Stoneman Douglas High School massacre happened minutes from my home.
Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.