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Shining "This Little Light of Mine" on two legends: Marian Anderson and Leontyne Price.
Filmmaker Francis Kuzler reveals the story behind the story behind "The Fringe."
Comey sees authority as the essence of goodness; he might have learned a better, more humanistic lesson from horror-drag reality TV hosts.
When The Seminole is busy and buzzing, so are Homestead's restaurants and greater downtown.
Hit-man by day, acting student by night -- and distinctly apolitical.
More than 300,000 people have literally affixed their names to one artist's vision.
Hey Netflix, you awake? If you really cared about diversity, you'd listen to Frances McDormand.
"Jeremy continues to email me from about 10 different addresses, with marriage proposals, suicide threats and pictures of his dick."
They are global spitfires -- artists making a difference -- and they are producing hope.
With 750,000 artists and audiences expected, she has the vision of a town. Call it "Town Stages."
How the emergence of electronic acoustics is revolutionizing the design of arts and entertainment halls, despite resistance.
How the Verigrin came to define themselves as a sanctuary planet.
Republicans prove their frothing hostility to anyone in any creative profession anywhere in America.
Susan Bernfield talks about jumping into The Pool and her play "Tania in the Getaway Van."
Spectacular Tippet Rise exemplifies the goal to increase access to art beyond cities.
"This is professional theater. We take great pride in that."
"The Deuce" has the earmarks of a great show, but will it live up to its potential?
The 3D video in Michel van der Aa’s chamber opera “Blank Out” is no gimmick.