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Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.
It's all about his mother (and her love life) in the part-play, part-dance 'The Mar Vista.'
A veteran TV writer-producer and "old white guy" explains his new play -- about Millennials.
A new plan puts the tots back into Tater Tots, and the kid in Steak and Kidney Pie.
Coco Fusco and Guillermo Gómez-Peña’s caged performances show us that ICE’s children in cages are dangerously vulnerable to losing their humanity.
Teenagers with well-grounded values is the best part of the play. Then there's the rest of it.
Fathers don't have to an obstacle to their sons taking ballet.
On stage, should a white character speak for her unseen Black husband and biracial child?
Every time I sat down to write this article, I thought I'd have more time.
Wall board and masking tape cover a lifetime of scars in Max Posner’s The Treasurer.
New dances in “a kaleidoscope of intersecting shapes and images" show women in all stages.
For parent artists, a new advocacy network to address needs and raise visibility.
What do parents look for in the theater they watch with their children?