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But why salt so much dialogue with, like, annoyingly contemporary expressions?
There must be method to playwright Halley Feiffer's current madness.
Despite predictable drawbacks, Chris Urch's theatrical indictment is an important work of art.
An autobiographical musical about an autobiographical musical about -- well, you know.
The playwright thinks he’s offering us shocks. They register more like mild nudges.
Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.
Audiences laughed. But no one will ever understand the pain of African Americans.
You have a tough scene late in the play. You probably know it -- what you do at the end of it.
How an actor who has always been a writer became a writer who has always been an actor.
Will the real Skim Shady please stand up?
...then the Stoneman Douglas High School massacre happened minutes from my home.
Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.
It's all about his mother (and her love life) in the part-play, part-dance 'The Mar Vista.'
We should all celebrate voices -- even those not necessarily our own.
Why not? After all, writers create the narratives and matches have predetermined outcomes.
Sound designer? Composer? Photographer? Publisher? Call him what you like. But call: he's listening.
One of our towering dramatic playwrights finds no time for comedy.