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On stage, should a white character speak for her unseen Black husband and biracial child?
A play as long and as painfully repetitive as real-life analysis can be.
Playwright Antoinette Nwandu on writing new kinds of black characters and her upcoming film with Spike Lee.
And why you can liken the production to farm-to-table cuisine.
“The problem is not the Jamaat," one character declares. "The problem is this family.”
Playwright Aleshea Harris is bound and determined to offer us an allegory. Or several.
Head-knocking and blood-spilling in his plays are often packaged with high hilarity.
This part of America may be hard to see, making it crucial not to look away.
How the Verigrin came to define themselves as a sanctuary planet.
Memories of her white grandfather animate the 86-year-old legend's first play in a decade.
When a play is poor-to-middling, directors and casts can ratchet things up. Not here.
A quiet contemplation of America’s newly energized racist past.
It's all about attitude, "Hattitude" and making women a central artistic priority.
Was Spain's melancholy king, Philippe V, crazy? Or crazy like a fox? Only a castrato knew for sure.
Lucy Kirkwood's debut play on Broadway intertwines personal legacies with disaster.
Is Lida Orzeck running for Most Interesting Woman in the World?
Playwright Rajiv Joseph offers an allegory for today's corrosive political climate and totalitarian rumblings.
No one sees and no one draws a moral line. Talk about a snake pit!