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With Tyne Daly and Tim Daly reaching new acting heights, what is the playwright afraid of?
Isn't the whole idea of art to trigger something emotional?
Science and theater merge in a daring experiment around gender, empowerment and music.
On this podcast, two actors imagine how the arts could better represent a highly overlooked minority.
...it may well be the best play of the last 10 years.
With one extraordinary performance, the three-time Tony winner seems to ask two questions.
Former journalist turned playwright Michelle Kholos Brooks explores a grim historical footnote.
A play about a Nazi (former Nazi?) who helped America to put a man on the moon.
"Hurricane," "Forever Young," “Like a Rolling Stone” -- but not always where you'd expect them.
Even just her name still connotes outsized emotions.
The playwright's heart is in the right place. The play isn’t quite.
“You don’t buy loyalty, you inspire it," says Edie Falco's character, proving that politics hasn't changed.
America was always destined to be so much more, and so much better, than "separate but equal." Yes, it's disheartening and infuriating and galvanizing...
In 2014, they asked: "If the Holocaust didn’t happen…what did?" After Trump and Charlottesville, I think we have an answer.
Starring Billy Crudup, produced by Audible, it was performance, workshop and theater history in one.
Moving past the most toxic business phrase with Judith Bowtell of Australia's Milk Crate Theatre.
An artistic director leads us toward a wise new way of approaching race and identity.
A spunky, engaging, sardonic story of women making their way in a society framed by -- who else? -- men.
Young Jean Lee isn't necessarily crafting drama about what she knows so much as depending on others for what they know.