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Starring Billy Crudup, produced by Audible, it was performance, workshop and theater history in one.
Moving past the most toxic business phrase with Judith Bowtell of Australia's Milk Crate Theatre.
An artistic director leads us toward a wise new way of approaching race and identity.
A spunky, engaging, sardonic story of women making their way in a society framed by -- who else? -- men.
Young Jean Lee isn't necessarily crafting drama about what she knows so much as depending on others for what they know.
An act of defiance for 16 years and counting, we need festivals like "Fresh Fruit" now more than ever.
In Tracy Letts' new play, meet a middle-class everywoman of the American Midwest.
What if I think he was a terrible jurist and a bad man? Does that make me a bad critic?
Gender identity used as a storytelling tool, not as the point of the play.
If this sounds like a relief, that's because it feels like a relief.
A tragicomic play invites comparison with other works, but ultimately stands on its own.
We're not the first nation to face propaganda from a government prone to lies and deceit.
Teenagers with well-grounded values is the best part of the play. Then there's the rest of it.
Gays may be more comfortable in their sexuality, but internalized homophobia hasn't vanished.
"Don’t be afraid to take chances, but always act with integrity."
The legendary actress is in pain, and her character's family is giving her more of it.
The remarkable idealism of Electchester -- and its complicated response to a changing NYC.
"Transparent Falsehood" is a satire full of “outtakes of humanity” for a man who has none.
Rowling, Thorne and Tiffany wave magic wands over a two-part Broadway spectacle.