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Who Are The 1491s and What Is ‘Between Two Knees’?

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An intertribal, Indigenous sketch-comedy troupe exposes a deep cultural scar.

‘Lockdown’ Appeals for Justice Reform — and Compassion

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Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.

For Hnath, ‘Hillary and Clinton’ Are a, If Not the, Real...

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Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.

Dear Tasha Lawrence: A Letter About ‘All Our Children’

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You have a tough scene late in the play. You probably know it -- what you do at the end of it.

Halley Feiffer: Writing New Roles One Play at a Time

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How an actor who has always been a writer became a writer who has always been an actor.

Au Contraire: Exploring Brexit in English and Irish Theater

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There's a desire to respect their differences and to work out where they go next -- together or separately.

Dear Deb Margolin: A Letter About ‘Imagining Madoff’

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Will the real Skim Shady please stand up?

I Wrote ‘After’ — a Play About a School Gun Massacre…

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...then the Stoneman Douglas High School massacre happened minutes from my home.

Isabelle Huppert Suffers (Again!) in Surreal Off-Broadway Play

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Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.

SWAN Day 2019 Takes Flight — Under New Leadership

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After 11 years, Support Women Artists Now is a worldwide event whose future is just beginning.

My Heart Doesn’t Belong to ‘Daddy’

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Jeremy O. Harris' play, starring Alan Cumming and set in a pool, barely makes a ripple.

Yes, Ma: Gay Boy Playwright-Choreographer Makes Good

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It's all about his mother (and her love life) in the part-play, part-dance 'The Mar Vista.'

Why Edith Wharton Might Hate My Play

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A mixed-race playwright reconsiders 'The House of Mirth' and its relevance (or lack thereof) for people of color.

Are Millennials Actually ‘F**ked’? Ask Matt Williams

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A veteran TV writer-producer and "old white guy" explains his new play -- about Millennials.

Mars Never Seemed So Close, or So Far Away

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After an abortive launch, Erin Treadway finally blasts off in the new play "Spaceman."

When a Safe House Isn’t So Safe

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Abby Rosebrock's play "Blue Ridge" finds Marin Ireland is brilliantly all the rage.

Living the Theater of the Absurd

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The symptoms of this pathology begin with malevolent myth and end, inevitably, in violence.

I’m a Playwright, and Trigger Warnings Trouble Me

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What right has anyone to tell me how audiences should experience my plays?

Atticus Finch Galvanizes Broadway

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Aaron Sorkin's adaptation of Harper Lee's "To Kill a Mockingbird" astounds with the great Jeff Daniels.

Let’s Disconnect the ‘Disconnect’ in Nonprofit Theater

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Just because a play delivers "excellence" doesn't mean it delivers "impact."
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Herman Cain (and Republicans Unable)

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And then there was Jerry Falwell, Jr., with his open pants, evangelical FUPA and his hands veering into prime side-boob territory with -- hey, doesn't she have a name?