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This is two-act, two-hour-and-40-minute political issue to which attention must be paid.
Judith Ivey appears at the center of a few, very individual stories of certain troubled Americans -- and a much, much larger American tragedy.
Welcome to a 2019 fantasy history play about a 1979 White House experience that might have been.
The story of Mabel Loomis Todd -- first editor of Emily Dickinson's poetry and much more -- opens Off-Broadway with the timeless Kathleen Chalfant.
The hold of conservative Christianity on the American body politic is a symptom of the crisis.
"Our idea has been to let the plays shine, to let the playwright shine, and to support each other."
Harris' play is so scattershot that his many points, and the fireworks that generate, remain unhappily in chains.
But why salt so much dialogue with, like, annoyingly contemporary expressions?
Looking back on more than three decades creating community and drama around the world using the techniques of the Theatre of the Oppressed.
There must be method to playwright Halley Feiffer's current madness.
Despite predictable drawbacks, Chris Urch's theatrical indictment is an important work of art.
With the Indian Child Welfare Act (ICWA) under right-wing attack, Mary Kathryn Nagle sounds the alarm.
Danny Rocco's sprawling experimental history play proves that everything new is old again.
The playwright thinks he’s offering us shocks. They register more like mild nudges.
An intertribal, Indigenous sketch-comedy troupe exposes a deep cultural scar.
Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.
Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.
You have a tough scene late in the play. You probably know it -- what you do at the end of it.