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‘Lockdown’ Appeals for Justice Reform — and Compassion

Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.

For Hnath, ‘Hillary and Clinton’ Are a, If Not the, Real...

Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.

Dear Tasha Lawrence: A Letter About ‘All Our Children’

You have a tough scene late in the play. You probably know it -- what you do at the end of it.

Halley Feiffer: Writing New Roles One Play at a Time

How an actor who has always been a writer became a writer who has always been an actor.

Au Contraire: Exploring Brexit in English and Irish Theater

There's a desire to respect their differences and to work out where they go next -- together or separately.

Dear Deb Margolin: A Letter About ‘Imagining Madoff’

Will the real Skim Shady please stand up?

I Wrote ‘After’ — a Play About a School Gun Massacre…

...then the Stoneman Douglas High School massacre happened minutes from my home.

Isabelle Huppert Suffers (Again!) in Surreal Off-Broadway Play

Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.

SWAN Day 2019 Takes Flight — Under New Leadership

After 11 years, Support Women Artists Now is a worldwide event whose future is just beginning.

My Heart Doesn’t Belong to ‘Daddy’

Jeremy O. Harris' play, starring Alan Cumming and set in a pool, barely makes a ripple.

Yes, Ma: Gay Boy Playwright-Choreographer Makes Good

It's all about his mother (and her love life) in the part-play, part-dance 'The Mar Vista.'

Why Edith Wharton Might Hate My Play

A mixed-race playwright reconsiders 'The House of Mirth' and its relevance (or lack thereof) for people of color.

Are Millennials Actually ‘F**ked’? Ask Matt Williams

A veteran TV writer-producer and "old white guy" explains his new play -- about Millennials.

Mars Never Seemed So Close, or So Far Away

After an abortive launch, Erin Treadway finally blasts off in the new play "Spaceman."

When a Safe House Isn’t So Safe

Abby Rosebrock's play "Blue Ridge" finds Marin Ireland is brilliantly all the rage.

Living the Theater of the Absurd

The symptoms of this pathology begin with malevolent myth and end, inevitably, in violence.

I’m a Playwright, and Trigger Warnings Trouble Me

What right has anyone to tell me how audiences should experience my plays?

Atticus Finch Galvanizes Broadway

Aaron Sorkin's adaptation of Harper Lee's "To Kill a Mockingbird" astounds with the great Jeff Daniels.

Let’s Disconnect the ‘Disconnect’ in Nonprofit Theater

Just because a play delivers "excellence" doesn't mean it delivers "impact."

Thrills, Chills, Battle of Wills: Theresa Rebeck’s ‘Downstairs’ Terrifies

With Tyne Daly and Tim Daly reaching new acting heights, what is the playwright afraid of?
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