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"At some point, I'm going to have to decide when and how I want to stop being angry."
Curators, I propose a new kind of exhibit for your museum. (Hint: it doesn't honor the womanzier!)
Gorgeous illuminated manuscripts illustrate a broad concept of what monsters were -- and meant -- in medieval Europe.
500 years of Spanish art makes the point that culture links us, rather than separates us.
Coco Fusco and Guillermo Gómez-Peña’s caged performances show us that ICE’s children in cages are dangerously vulnerable to losing their humanity.
The activist-artist takes a historical, artifact-based view of American racism yesterday and today.
Hujar’s photos of artists and drag queens, skyscrapers and farm animals, and so much more animate a powerful retrospective at The Morgan.
Zurbarán's images of Jewish patriarchs made a case for religious and ethnic tolerance. Concerns that are still vital today.
A billionaire paying exorbitantly for a Basquiat is a bad reason to dedicate an exhibition to it.
During an Age of Faith, Murillo infused the artistic patrimony of Spain with beauty, joy and hope of salvation.
They will punish tourists -- including hundreds of thousands of Americans who already subsidize it.
If a courageous accuser described the scene today, would it be called "Denunciation?" "Renunciation"?
Crystal Bridges and Grace Farms, out-of-the-way museums focused on expanded community access to art.
Spectacular Tippet Rise exemplifies the goal to increase access to art beyond cities.
The galleries of Al Quoz in Dubai: little seen by the UAE's 15 million annual visitors.