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Certified Fresh?: A Call to Review Our Review Aggregators

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Rotten Tomatoes and Metacritic are valuable tools, but they're in need of improvement.

“Groundhog Day” Is “Groundhog Day” Is “Groundhog Day”

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Featuring the most creative five minutes on Broadway right now.

Why Nijla Mu’min is a Director to Watch

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In this podcast Mu'min discusses her upcoming film Jinn, a Muslim coming-of-age tale.

Goodman to Skip Plays, Just Show Movies for 17-18 Season

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Chicago's Goodman Theatre devotes its 2017-2018 season to The Power of Film.

A Film Festival Grows in Inwood

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A film festival in a Northern Manhattan neighborhood has quietly taken root.

“Finding Babel”: Family Documentary Uncovers Soviet History

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The mystery remains unresolved, but as the film ends, we are invited into the search.

Norma’s Back! La Desmond Arises “Sunset Boulevard”

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Delivering "Wow"-factor even when -- with one look -- the script falls short.

Patriots Day’s Themo Melikidze Enters the Mind of a Terrorist

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In this podcast, the Patriots Day star reflects on the Boston Marathon bombing.

3 Questions to Ask About Art Other Than “Did You Like...

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We watch a lot of arts and media. Here's how we can do a better job of talking about it.

10 Resolutions to End This Effed-Up Year of Trump

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Let's be honest and kill the orange elephant in the room.

How the Rise of Big Media Is Disrupting Broadway

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Who is the franchise manager for Hamilton? I’d wager there isn’t one.

Maria Tallchief to “Perfect Crime”: An Interview with Gary Busey

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"Critics of art are like eunuchs in harem."

Lin-Manuel Miranda Reawakens the Wonder at United Palace

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Magic returns to an historic movie house with the help of Broadway's superstar.

Actresses Paved the Way: “Trailblazing Women” on TCM

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Illeana Douglas puts a spotlight on Hollywood and focuses on gender parity.

Yellowface and the Racist Incredulity of White Culture

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Why White Culture can't see when POCs point out racism.

Israel Horovitz on How to Adapt a Play for the Screen

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In this podcast, Horovitz describes how he adapted his play My Old Lady into a film.

We’re All Just Meryl Streep, Really

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You pretending to be me does not make you me.

The Coens’ “Hail, Caesar!” and Jewish Hollywood History

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The film is movie vaudeville, a spoof consumed by movie love.

How Should We Respond to Shakespeare’s Sexism?

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How do we negotiate between what Shakespeare is and what we want Shakespeare to be?

Performance Art on the Red Carpet

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“Who are you wearing?”
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Herman Cain (and Republicans Unable)

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And then there was Jerry Falwell, Jr., with his open pants, evangelical FUPA and his hands veering into prime side-boob territory with -- hey, doesn't she have a name?