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Hannah Gadsby Just Killed Comedy As We Know It

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First she shows how her jokes work. Then you're left appalled at why you laughed in the first place.

Why Time Is Still Ripe for the Fresh Fruit Festival

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An act of defiance for 16 years and counting, we need festivals like "Fresh Fruit" now more than ever.

Historian Richard Vinen Connects Our Agitated Era to ‘1968’

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Remembering when America provided a model for protest around the globe.

Ezra, Henry and a Refuge From Adulthood in ‘Log Cabin’

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Gender identity used as a storytelling tool, not as the point of the play.

How Do You ‘Queer’ a Pop Song?

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An excellent tribute to a legendary gay dance party raises awesome gnarly questions.

New Documentary Spotlights Drama Behind US v. Windsor

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The story behind the story of the most important gay-rights legal decision of our time.

No, ‘The Boys in the Band’ Is Anything But a Period...

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Gays may be more comfortable in their sexuality, but internalized homophobia hasn't vanished.

How to Make a Black Man Disappear From Broadway

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Here's what Ben Brantley did -- or didn't do -- in his review of "Angels in America" on Broadway.

James Comey, The Boulet Brothers and Other Monsters

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Comey sees authority as the essence of goodness; he might have learned a better, more humanistic lesson from horror-drag reality TV hosts.

With ‘Judas,’ Phoenix Rep Revisits the Mark of Robert Patrick

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The greatest story ever told, by one of the greatest LGBTQ playwrights ever known.

Peter Hujar Is a Better Photographer Than Robert Mapplethorpe

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Hujar’s photos of artists and drag queens, skyscrapers and farm animals, and so much more animate a powerful retrospective at The Morgan.

‘RuPaul’s Drag Race’ Ruined Drag

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Drag is, "Drag Race" notwithstanding, about knowing who you are, what society thinks of that and making humor, beauty and art from the mess of it.

Andrew Garfield, Nathan Lane Lead a Celestial ‘Angels in America’

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To quote Robert Browning: "Ah, but a man's reach should exceed his grasp, or what's a heaven for?"

On TV, It’s Raining Men: An Alienist and a Versace

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Two recent shows were grim and stomach-turning. Why am I bored and ambivalent?

The Federation: Keeping Our Trump-Era Cultural Borders Open

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A new coalition urges artists to be louder and more visible than ever.

What Makes Us Special Is What Makes Us Powerful

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What I told my seven-year-old son and why it matters to artists and activists.

Gay Representation: Rising on TV, Not Musical Theater?

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You can usually spot them a mile off, good for only quick quips and a "sashay away."

Why a 1947 Opera About Susan B. Anthony Feels Right Now

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History comes around again in surprising ways. Places fall apart and are put back together. People come together, go away, and come back again....

In “Torch Song” Return, Fierstein Lights Beautiful Gay Flame

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Michael Urie as Arnold Beckoff, Mercedes Ruehl as Ma Beckoff spark Kaufman's production.

Free, Free at Last: In Flux, US Playwright Finds Stability

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"I’m looking forward to seeing all the protest theater in the next four years."
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Herman Cain (and Republicans Unable)

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And then there was Jerry Falwell, Jr., with his open pants, evangelical FUPA and his hands veering into prime side-boob territory with -- hey, doesn't she have a name?