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Vox's film critic joins CFR's Sean Douglass and Jose Solís to review their "favourite" movies of the year.
Curators, I propose a new kind of exhibit for your museum. (Hint: it doesn't honor the womanzier!)
They've made notable strides in their representation of women. Why can't some franchises keep up?
In Stephen Brown-Fried’s elegant new two-part adaptation of Shakespeare’s Henry VI trilogy for Off-Broadway's National Asian American Theatre Company (NAATCO), we don’t have to...
A powerful reminder of how far the LGBTQ+ community has traversed since the late 1980s.
The original #MeToo musical offers memorable acting by enduring stage talents.
Learning from cultural equity work in Finland and Australia. Plus, a DEI resource list.
Fathers don't have to an obstacle to their sons taking ballet.
"Rise" twists itself in knots to position Mr. Mazzu as a hero. In fact, he's a giant ass.
Silent language: it is what the disenfranchised share.
Why director Alex Roe calls "A Marriage Contract," from 1892, an "indictment of prejudice, privilege and complacency."
"Jeremy continues to email me from about 10 different addresses, with marriage proposals, suicide threats and pictures of his dick."
"Most of the men who sexually harassed or accosted me are presumably dead or nearly dead, and good riddance."
What will get more works by women programmed? More works by women being programmed.
Stanley Houghton's "Hindle Wakes" was ahead of its time. But serendipity can be jaw-dropping.
It's all about attitude, "Hattitude" and making women a central artistic priority.
Things aren’t always black and white, and that woman will figure it out.