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Throughout rehearsals, she constantly defaulted to “he,” followed by stuttering apologies. Aidan always said, “That’s OK.” She always felt terrible anyway.
Welcome to a 2019 fantasy history play about a 1979 White House experience that might have been.
An exhilarating example of the public service that theater is forever capable of providing.
In Veronica Raimo’s novel "The Girl at the Door," there's a fine line between admiring a culture and alienation from it.
But why salt so much dialogue with, like, annoyingly contemporary expressions?
June is not the only month in which we should have these conversations.
What does it look like to represent Asian Americans in a drag competition?
Vox's film critic joins CFR's Sean Douglass and Jose Solís to review their "favourite" movies of the year.
Curators, I propose a new kind of exhibit for your museum. (Hint: it doesn't honor the womanzier!)
They've made notable strides in their representation of women. Why can't some franchises keep up?
In Stephen Brown-Fried’s elegant new two-part adaptation of Shakespeare’s Henry VI trilogy for Off-Broadway's National Asian American Theatre Company (NAATCO), we don’t have to...
A powerful reminder of how far the LGBTQ+ community has traversed since the late 1980s.
The original #MeToo musical offers memorable acting by enduring stage talents.
Learning from cultural equity work in Finland and Australia. Plus, a DEI resource list.
Fathers don't have to an obstacle to their sons taking ballet.
"Rise" twists itself in knots to position Mr. Mazzu as a hero. In fact, he's a giant ass.
Silent language: it is what the disenfranchised share.