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It's one thing to grow up, and grow insecure, as the child of a celebrity. It's another thing to transcend it all with forgiveness.
As Tolstoy said, “All happy families are alike; each unhappy family is unhappy in its own way.” The Lennon-Bairds were no exception.
Despite predictable drawbacks, Chris Urch's theatrical indictment is an important work of art.
The playwright thinks he’s offering us shocks. They register more like mild nudges.
At Princeton, new insights into subtly political portraits of Gainsborough family members.
Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.
...it may well be the best play of the last 10 years.
"At some point, I'm going to have to decide when and how I want to stop being angry."
Catharine Arnold's "Pandemic 1918" prompts thoughts of mortality and the need for an examined life.
Meet the first black couple to both be nominated for Emmys in the same year.
Teenagers with well-grounded values is the best part of the play. Then there's the rest of it.
The legendary actress is in pain, and her character's family is giving her more of it.
Meet someone who survived Jim Crow and demanded justice.
Every time I sat down to write this article, I thought I'd have more time.
Nia Vardalos adapts and stars in a theatrical retelling of pain and survival.