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Throughout rehearsals, she constantly defaulted to “he,” followed by stuttering apologies. Aidan always said, “That’s OK.” She always felt terrible anyway.
Looking back on more than three decades creating community and drama around the world using the techniques of the Theatre of the Oppressed.
"It’s kind of an illusion if a cultural institution thinks they’re neutral," goes the quote. And yet.
With the Indian Child Welfare Act (ICWA) under right-wing attack, Mary Kathryn Nagle sounds the alarm.
An intertribal, Indigenous sketch-comedy troupe exposes a deep cultural scar.
They don’t just nurture plays. They nurture the Native artists who flock to the refuge on the hill.
The lesson? Nobody owns the answer to anyone else’s racial identity.
How I elevated my social and political voice through voice training.
Discrimination against Black hair is a modern way of keeping us out of spaces we had to fight, march and protest our way inside.
Meet the first black couple to both be nominated for Emmys in the same year.
In Stephen Brown-Fried’s elegant new two-part adaptation of Shakespeare’s Henry VI trilogy for Off-Broadway's National Asian American Theatre Company (NAATCO), we don’t have to...
An erotic first novel about a young American abroad gradually grows more eloquent.
A spunky, engaging, sardonic story of women making their way in a society framed by -- who else? -- men.
Learning from cultural equity work in Finland and Australia. Plus, a DEI resource list.
The activist-artist takes a historical, artifact-based view of American racism yesterday and today.
A conference to tackle the difficult questions. Here's what you can expect.
They are global spitfires -- artists making a difference -- and they are producing hope.
Race is the opposite of what we were always told. It can be distorted to keep people isolated.
Things aren’t always black and white, and that woman will figure it out.