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Looking back on more than three decades creating community and drama around the world using the techniques of the Theatre of the Oppressed.
Despite predictable drawbacks, Chris Urch's theatrical indictment is an important work of art.
If your art cannot get done in the hours you have budgeted for it, you have lied. To everyone.
Unending total agreement can hurt nonprofit arts groups. There are better ways to be a board.
Playwright Terrence McNally can be greatly thanked -- especially in the light of the moon.
Playwright Cori Thomas learned to see the San Quentin incarcerated as individuals, not as past crimes.
Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.
You have a tough scene late in the play. You probably know it -- what you do at the end of it.
Why not? After all, writers create the narratives and matches have predetermined outcomes.
Three words: director Ben Stiller. Oh, and maybe there's a fourth word: misogyny.
I used to think this was a great play. Now I fear it's a great play wrapped in a gimmick.
Just because a play delivers "excellence" doesn't mean it delivers "impact."
The Arab-Israeli conflict rages on, making a TV version of John Le Carre's 1983 novel sadly relevant.
With Tyne Daly and Tim Daly reaching new acting heights, what is the playwright afraid of?
Isn't the whole idea of art to trigger something emotional?