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Hey Netflix, you awake? If you really cared about diversity, you'd listen to Frances McDormand.
White feminism strikes again.
Playwright Antoinette Nwandu on writing new kinds of black characters and her upcoming film with Spike Lee.
“The problem is not the Jamaat," one character declares. "The problem is this family.”
Why director Alex Roe calls "A Marriage Contract," from 1892, an "indictment of prejudice, privilege and complacency."
"Jeremy continues to email me from about 10 different addresses, with marriage proposals, suicide threats and pictures of his dick."
Chatting with Charles Weldon, artistic director of the legendary Negro Ensemble Company.
Navigating a post-#MeToo workplace can be confusing. Fortunately, the CFR is here to help.
No more whitewashing the history of forced black domestic labor under slavery.
In a long Twitter thread, a former intern at Glencoe's celebrated Writers Theatre alleges that Artistic Director Michael Halberstam repeatedly sexually harassed him in 2003.
Nia Vardalos adapts and stars in a theatrical retelling of pain and survival.
Anthony Burgess' violent dystopia: is it here?
Sudsy plot points with the working-class Holmes family in rural England.
In this podcast, Alamereyda reflects on memory, technology and the themes of his new film.
In street theater, "you have only yourself, your passion and what you believe in."
Amateur theatre is a sector we should be proud of.
Lear deBessonet’s jolly notions are too many to list -- and why give them all away?
The fever dream of a prep school boy: Sam Gold's direction of "Hamlet."