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Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.
You have a tough scene late in the play. You probably know it -- what you do at the end of it.
Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.
It's all about his mother (and her love life) in the part-play, part-dance 'The Mar Vista.'
The story of the show is as offensive as the story being told.
Played by a craggy, and mesmerizing Bryan Cranston, he's not going to take it anymore.
Vox's film critic joins CFR's Sean Douglass and Jose Solís to review their "favourite" movies of the year.
Science and theater merge in a daring experiment around gender, empowerment and music.
Revisiting the work of a woman who did not cut her conscience to fit any theatrical fashion.
A 12-hour tribute to the greatest playwright you've never heard of.
A tragicomic play invites comparison with other works, but ultimately stands on its own.
The legendary actress is in pain, and her character's family is giving her more of it.
How do you stage semi-sloshed drunks mostly sitting at bar tables for four hours?
Listen before Homeland Security takes this down.
White feminism strikes again.
“The problem is not the Jamaat," one character declares. "The problem is this family.”
Why director Alex Roe calls "A Marriage Contract," from 1892, an "indictment of prejudice, privilege and complacency."