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By the time our theaters reopen, which artists will be left standing? Let us revisit the ancient notion of the acting company.
"The Glorious Death of Comrade What's-His-Name" is based on a 1928 play, "The Suicide," by Nikolai Erdman, who was later exiled to Siberia.
How the surprisingly under-the-radar Ed Norton film "Motherless Brooklyn" represents the very best of contemporary American neo-noir.
To weaponize the film as just another ideological salvo reduces pop culture to agitprop.
"Rewind/Fast-Forward: Celebrating the Artist Documentaries of Olympia Stone" is set for Nov. 7 at 7pm.
"Our idea has been to let the plays shine, to let the playwright shine, and to support each other."
The hard elegance of the performances -- especially Tom Hiddleston, in his Broadway debut -- are a potent factor in the overwhelming success of this revival.
Frédéric Tcheng’s documentary retraces the rise and fall of an iconic, enigmatic American designer.
Playwright Terrence McNally can be greatly thanked -- especially in the light of the moon.
Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.
You have a tough scene late in the play. You probably know it -- what you do at the end of it.
Watching Florian Zeller's 'The Mother,' we suffer right along with the glorious French actress.
It's all about his mother (and her love life) in the part-play, part-dance 'The Mar Vista.'