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What’s So Scary About ‘Parasite’? Late-Stage Capitalism

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In Bong Joon-ho’s award-winning film, fear is coming from inside the class system. And we know who's being terrified by it the most.

Mulling Monterey: Steinbeck, Class and ‘Big Little Lies’

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Do you know the way to Monterey? Reflecting on different perspectives of a familiar place.

Gainsborough Family Album: A New Look at an Old Master

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At Princeton, new insights into subtly political portraits of Gainsborough family members.

Why Edith Wharton Might Hate My Play

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A mixed-race playwright reconsiders 'The House of Mirth' and its relevance (or lack thereof) for people of color.

Please, Lynn Nottage, Don’t Make Me ‘Meet Vera Stark’!

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One of our towering dramatic playwrights finds no time for comedy.

‘Tito and the Birds’: Using Animation to Fight Political Fear

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Only 10-year-old Tito, his friends and his pigeons take a stand and save the day.

LIC Artists Pledge to Resist Amazon Art Washing

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Cuomo, de Blasio and Amazon betrayed the cultural communities of Queens. An artist collective says no.

Masculinity, Identity and My Grandfather’s Rough Hands

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"At some point, I'm going to have to decide when and how I want to stop being angry."

Kidman, Johansson, Gadot and Other Reasons to Stop Reading Now

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The powerful do not instigate mass movements. They appropriate and profit from them, then kill them at the grassroots.

“The Home Place”: Persnickety Plot Paralyzes Political Play

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An overreaching, over-plotted play about a rising working class and the landed gentry.

Arts Integration: Radical Then, Still Radical Today

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Although mentioned over a 100 years ago, arts integration in schools still isn't common.

Lloyd Webber on Diversity: Short-Term “Memory” Loss?

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Is the world-famous musical theater composer using Bombay Dreams as a show pony?

Fugard’s “Master Harold…”: Prelude to American Aparteid?

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Fugard’s play is as fresh as the morning’s headlines. Any morning, lately.

Money, Love, Sex and Power: Playwright Gina Gionfriddo

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The two-time Pulitzer nominee talks gender politics, House of Cards and her latest play.

The Middle Class is Sick. Rebecca Gilman Has the Cure.

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In this podcast, Gilman discusses her play Soups, Stews, and Casseroles: 1976.

Sit, Ubu, Sit! Bad King! Ruff!

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"Being a slave, by the way, is my new way to rule!"

Sandbagged by Handbags

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What does the high-priced woman's handbag say about us?

Intersectionality: Going Forward

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On naming whiteness, maleness, heterosexuality, wealth, and so on just as we name people as women, people of color, LGBTQ, etc.

Getting the Hang of Intersectionality

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Four questions you can ask yourself to help give you a better grip on applying intersectionality.

Money, Opportunity and the Development of “Talent”

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The class imbalance in theater education keeps the whole system broken.
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Herman Cain (and Republicans Unable)

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And then there was Jerry Falwell, Jr., with his open pants, evangelical FUPA and his hands veering into prime side-boob territory with -- hey, doesn't she have a name?