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...it may well be the best play of the last 10 years.
Broadway's grande dame shines in a film about aging, longing and the generation gap.
Even just her name still connotes outsized emotions.
Young Jean Lee isn't necessarily crafting drama about what she knows so much as depending on others for what they know.
Let's not lament the decline of theater blogs. We can get the conversation back.
Gays may be more comfortable in their sexuality, but internalized homophobia hasn't vanished.
The greatest story ever told, by one of the greatest LGBTQ playwrights ever known.
How do you stage semi-sloshed drunks mostly sitting at bar tables for four hours?
The title character has a heap of gumption as played by Condola Rashad.
Rowling, Thorne and Tiffany wave magic wands over a two-part Broadway spectacle.
The first 20 or so minutes are the absolute best of any musical ever written.
Sarah feels “split down the middle, caught between two worlds.” Because she is.
Director Joe Mantello transforms Edward Albee's emotional exorcism into tremulous enchantment.
How a Tony-winning costume designer confronts audiences with the odd and unexpected.