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Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.
How an actor who has always been a writer became a writer who has always been an actor.
Sound designer? Composer? Photographer? Publisher? Call him what you like. But call: he's listening.
I used to think this was a great play. Now I fear it's a great play wrapped in a gimmick.
Writers disrespected...non-union actors bullied...Broadway pros offer a sharp critique.
Played by a craggy, and mesmerizing Bryan Cranston, he's not going to take it anymore.
...it may well be the best play of the last 10 years.
Broadway's grande dame shines in a film about aging, longing and the generation gap.
Even just her name still connotes outsized emotions.
Young Jean Lee isn't necessarily crafting drama about what she knows so much as depending on others for what they know.