Saturday, May 25, 2019
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All the Good News I Could Find

Nine not-a-little-bit-bougie pieces of good news and nice things for the decadent extremist in us all.

For Hnath, ‘Hillary and Clinton’ Are a, If Not the, Real...

Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.

She’s Lear, She’s Here, Get Used To It

One thing about this obtuse king is undeniably magisterial: a larger-than-life rage.

Giving Chase to Choreographer Chase Brock

Dance "from character and situation and circumstance and plot and theme."

Halley Feiffer: Writing New Roles One Play at a Time

How an actor who has always been a writer became a writer who has always been an actor.

Of Sound Mind: Fitz Patton Sees Theater As Tonal Adventure

Sound designer? Composer? Photographer? Publisher? Call him what you like. But call: he's listening.

Shepard’s ‘True West’ May Not Be So True After All

I used to think this was a great play. Now I fear it's a great play wrapped in a gimmick.

In ‘Lab’ Strike Against B’way, Is Actors’ Equity Overreaching?

Writers disrespected...non-union actors bullied...Broadway pros offer a sharp critique.

I’m a Playwright, and Trigger Warnings Trouble Me

What right has anyone to tell me how audiences should experience my plays?

Atticus Finch Galvanizes Broadway

Aaron Sorkin's adaptation of Harper Lee's "To Kill a Mockingbird" astounds with the great Jeff Daniels.

In ‘Network’ on Broadway, Design Battles Howard Beale

Played by a craggy, and mesmerizing Bryan Cranston, he's not going to take it anymore.

Big, Black and On Broadway

But "King Kong," the musical, doesn't quite confront its disturbing history as a metaphor for racism.

After 50 Years, Elaine May Returns to Broadway

In Kenneth Lonergan's "The Waverly Gallery," May gives a superb performance of lasting memory.

‘The Ferryman’ Not Only Has Broadway’s Best Ensemble…

...it may well be the best play of the last 10 years.

Stage Legend Mary Beth Peil: A Leading Lady On Film at...

Broadway's grande dame shines in a film about aging, longing and the generation gap.

She’s Bernhardt, She’s Hamlet, and She Wears the Pants

Even just her name still connotes outsized emotions.

‘Pretty Woman: The Musical’ Is So Unpretty

Broadway pimps out a Hollywood title. Don't buy it.

‘Gettin’ the Band Back Together’ Rocks Broadway

Lightning doesn’t strike the same place twice. But it can strike near enough.

On Broadway, ‘Straight White Men’ Is Somewhat Bent Over

Young Jean Lee isn't necessarily crafting drama about what she knows so much as depending on others for what they know.

What Is the Future of Theater Podcasting?

Talking with Peter Marks, Diep Tran and Jose Solis on their new podcasts and why criticism shouldn't be as white as "an Abercrombie and Fitch catalog."
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