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Theater doesn’t have to be difficult, it can be simple -- not boring, but simple.
Those who actively love theater may be the biggest barriers to necessary change.
It’s not the push of selling a ticket, it’s the pull of engagement.
From whom the individual is to what the individual can do.
We're struck by how very, very, very white this directory is.
Plus a discussion about endowments -- and how to tap them.
Do institutional theaters "expect audiences to disconnect and remain in a dome of silence"?
Showing leadership when it comes to fixing the very white theatergoing audience of New York City.
Think of it this way: During the 2008-09 Broadway season, 97.6 percent of ticket-holders were not African-American.
Why should the public participate in the arts? Have the reasons been sufficiently articulated to taste-makers, educators and elected officials?