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All else aside, writes William J. Mann, the actor was "a voice in the wilderness warning about the celebrity culture he spied coming down the tracks."
This is two-act, two-hour-and-40-minute political issue to which attention must be paid.
Only 34 at the time that he wrote his first play, Jitney, August Wilson may or may not have known just how the emotion-driven...
One day, reaching for this book will be a good way to revisit the escapades of the Trump presidency -- and to be glad that they're over.
The problem with Seattle's Intiman Theatre following (not for the first time) the hysterical-panic fundraising playbook first pioneered by Oral Roberts.
An exhilarating example of the public service that theater is forever capable of providing.
To weaponize the film as just another ideological salvo reduces pop culture to agitprop.
The story of Mabel Loomis Todd -- first editor of Emily Dickinson's poetry and much more -- opens Off-Broadway with the timeless Kathleen Chalfant.
The hold of conservative Christianity on the American body politic is a symptom of the crisis.
With legacy enrollment dramatically rising at America’s top colleges and universities, who needs fraudulent admissions anyway?
The hard elegance of the performances -- especially Tom Hiddleston, in his Broadway debut -- are a potent factor in the overwhelming success of this revival.
How 24 newspaper writers teamed up 50 years ago to create the sex-soaked novel "Naked Came the Stranger."
If you won't pay artists -- or respect HR laws on exempt and non-exempt employees -- maybe you don't deserve our donations.
Who has legal standing to know the results of an investigation? What about a moral imperative?
Diversity, inclusion and curious sins of omission in a new book on the "greatest star."
Danny Rocco's sprawling experimental history play proves that everything new is old again.
Laurie Metcalf and John Lithgow cannonade a gratifying 90-minute, intermissionless play.