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Clyde Fitch Report
Columnists
Percy Bharucha
Elizabeth Burke
Robert Burney
Adam Epstein
David Finkle
Michelle Foytek
Kaela Garvin
Christopher Grigsby
Alan Harrison
Leonard Jacobs
Katie Kelaidis
Shawn Lent
Jeff Poulin
Jose SolÃs
Carol Strickland
Lynne Taylor-Corbett
Stacie Williams
Mark Dundas Wood
Stage
Dance
Music
Theater
Recent Posts
Screen
Film
TV
Recent Posts
Visual
Recent Posts
Ideas
Debates
Identity
Interviews
Literary
Rants
Recent Posts
Nonprofit
Advocacy
Development
Governance
Management
Recent Posts
Politics
Recent Posts
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Visual
An Important Memo From Arts Administrator Linda Richman
Alan Harrison
-
May 19, 2020
Visual
Hey, Arts Programmers: Um, There’s an Election…
Visual
Can Art Drive Change on Climate Change? Ask Alexis Rockman
Visual
‘Strange Bell’ Rings True: Revisiting the Art of William Christenberry
Visual
Filmmaker Olympia Stone Receives Bruce Museum Retrospective
Visual
Putin — and the Pecs That Launched a Million Memes
Mark Dundas Wood
-
October 27, 2019
1
Visual
The Canon Explodes: The Museum World Aims for Diversity
Carol Strickland
-
October 13, 2019
0
Visual
How Soundpainting Came to ‘PoP Up’ in Fort Greene, Brooklyn
Leese Walker
-
September 26, 2019
0
Visual
Land Acknowledgment! (…and Building on Best Practices)
Shawn Lent
-
September 25, 2019
0
Visual
Antarctica: The Final Frontier for Artists and Writers?
CFR Staff
-
September 23, 2019
2
Visual
Time for Arts Nonprofits to Prove They Inspire Change
Alan Harrison
-
September 20, 2019
0
Visual
The Audacity of Hype: The State of Narcissistic Trump Art
Carol Strickland
-
September 15, 2019
1
Visual
‘We Won’t Pay! We Won’t Pay!’ (Or, ‘Don’t Pay Artists!’)
Alan Harrison
-
August 24, 2019
1
Visual
A Powerful Exhibit on Migration Is Not Just ‘Politics’
Stacie Williams
-
August 18, 2019
1
Visual
Leonardo da Vinci: After 500 Years, Still a Man in Full
Carol Strickland
-
August 12, 2019
0
Visual
For Indie Artists, Does the Daisie App Match the Hype?
Megan Burney
-
July 5, 2019
0
Visual
12 Plausible Creators of the Deplorable Coin
Leonard Jacobs
-
June 12, 2019
1
Visual
Notes on ‘Notes on Camp’
Kaela Mei-Shing Garvin
-
May 19, 2019
1
Visual
Latinx Artists Probe Sci-Fi in ‘Mundos Alternos’
Beck Feibelman
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May 9, 2019
0
Visual
All the Good News I Could Find
Katie Kelaidis
-
May 8, 2019
0
Visual
Gainsborough Family Album: A New Look at an Old Master
Carol Strickland
-
May 4, 2019
0
Visual
Two Cities Getting Arts and Culture Right: Kansas City
Shawn Lent
-
April 19, 2019
2
Visual
At Driehaus Museum, Yinka Shonibare Fabricates Post-Colonial Identity
Carol Strickland
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April 8, 2019
0
Visual
Sackler, Altria, MacArthur: Ethical Quicksand in Big Philanthropy
Alan Harrison
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April 4, 2019
3
Visual
Nari Ward Uses Found Materials to Ground His Work in Community
Beck Feibelman
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March 25, 2019
0
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THE MARBURY PROJECT
Politics
RIP RGB, RIP GOP, RIP USA
Elizabeth Burke
-
September 28, 2020
0
None of the second-rate white men currently on the Supreme Court will receive the honors given to RBG when they finally die.
Artists First? Charting a Future for the American Theater
June 10, 2020
Barra Grant: ‘Miss America’s Ugly Daughter’ No More
February 18, 2020
Immersive Theater Brings Legendary Nellie Bly Back to Life
February 10, 2020
In ‘Halfway Bitches,’ Playwright Guirgis Goes All the Way
December 9, 2019
Ms. and They: Coming to Terms with Terms of Identity
November 21, 2019
‘Malaise’ of President Carter Finds ‘Confidence (and The Speech)’
November 19, 2019
- Advertisement -
THE SCENE
Politics
Herman Cain (and Republicans Unable)
Leonard Jacobs
-
August 9, 2020
0
And then there was Jerry Falwell, Jr., with his open pants, evangelical FUPA and his hands veering into prime side-boob territory with -- hey, doesn't she have a name?
Which President Ignored Bounties on Our Murdered Soldiers?
July 5, 2020
And I Thought, ‘Something Just Broke’
June 10, 2020
Is 2020 Another 1968 — or Civil War?
June 3, 2020
Mask? What Mask? On Being Free to Infect You and Me
May 6, 2020
Life Is a Bleach and Then You Die
April 30, 2020
In COVID-19 America, We All Looked Like Yaks
April 16, 2020
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