Polish Posters Play with Protest


Twice monthly, The CFR is delighted to feature articles from our partner ArtsNash. The journalists at ArtsNash cover the eclectic and growing arts scene of Nashville, Tennessee.
Follow ArtsNash on Facebook and Twitter.
Joe Nolan wrote this exhibition review.

Jan Sawka's 1977 poster for The Tempest
Jan Sawka’s 1977 poster for The Tempest

France’s Belle Epoque came to an end with the first rumblings of World War I. The period had lasted for more than a quarter-century, and its peace, optimism and artistic advancements were celebrated in its stylized posters. If World War I ended the Great Poster Period in Paris, World War II prompted another in Poland.

Story continues below.

Curiouser and Curiouser: Avant-Garde Polish Theater Posters From the 1970s (through August 28 at the The Vanderbilt University Fine Arts Gallery) is a vivid, colorful affair that’s full of the sexuality, humor and dramatic intensity of the performances these prints were created to promote. Inspired by Pop Art and the experimental theater of the period, these works share stylistic similarities with their contemporaneous American counterparts. But where American poster art after the 1960s reflected the hedonistic liberation of sex, drugs and rock ‘n’ roll that arose in the wake of the various youth movements of the time, these Polish prints are soaked in irony and satire, born from a then-recent history of Nazi occupation followed by communist rule.

The exhibit pulls from the ripe center of the Polish School of Posters, which generally dates from 1950-80.

Read the full review at ArtsNash.

Joe Nolan is the visual arts editor. He is a poet, musician, artist and critic who distills the city’s gallery scene from Nashville’s east side. Find out more about his projects at joenolan.com.