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Melania Trump Needs No One To Save Her

Because she's exactly where she wants to be.

Pussy Riot Returns (On the Album of an All-Woman Vocal Quartet)

Lyrics and trial transcriptions join forces in a powerful oratorio.

‘Saint Joan’ On Broadway: Shaw’s Timeless Gift to Powerful Women

The title character has a heap of gumption as played by Condola Rashad.

My Lunch Also Rises: NBC’s Nauseating Vision of High School Theater

"Rise" twists itself in knots to position Mr. Mazzu as a hero. In fact, he's a giant ass.

Outdated ‘Children of a Lesser God’ Falls on Deaf Ears

Sarah feels “split down the middle, caught between two worlds.” Because she is.

‘Three Tall Women’: A Memory Play Through Class and Mirrors

Director Joe Mantello transforms Edward Albee's emotional exorcism into tremulous enchantment.

I Predict Innovation’s Next Wave Will Come From Dance

There are so many possibilities for artificial intelligence to take centerstage.

When Will Women Lead Storytelling in Hollywood?

It shouldn’t be so hard for women filmmakers to make their next project. Period.

Why Four Firearm Owners Keep Sticking to Their Guns

And they want to make it clear: armed and safe, not armed and dangerous.

Why ‘Inclusion Rider’ Also Needs to Mean ‘Time’s Up’

Hey Netflix, you awake? If you really cared about diversity, you'd listen to Frances McDormand.

No Place Like MOME: How Julie Menin Champions NYC Arts

NYC's Commissioner of Media and Entertainment delivers promising successes.

How Indie Theater Like ‘Athena’ Suddenly Becomes a Hit

And why you can liken the production to farm-to-table cuisine.

Was Augustin Daly, 19th Century Theater Genius, a Secret Progressive?

Why director Alex Roe calls "A Marriage Contract," from 1892, an "indictment of prejudice, privilege and complacency."

Six Women Allege Physical, Emotional Abuse at Dream Theatre Company

"Jeremy continues to email me from about 10 different addresses, with marriage proposals, suicide threats and pictures of his dick."

“Kings” Passes Bechdel Test, Drowns in Design

In the new play by Sarah Burgess, hyper-aggro sound design nearly ruins the storytelling.

20 Change-Making US Artists You Should Track During 2018

They are global spitfires -- artists making a difference -- and they are producing hope.

Space, the Final Frontier: Sokoloff Is On To Something Big

With 750,000 artists and audiences expected, she has the vision of a town. Call it "Town Stages."

Before We Move On: An Open Letter to Aziz and Grace

"Most of the men who sexually harassed or accosted me are presumably dead or nearly dead, and good riddance."

Adrienne Kennedy’s New Play of Love, Race and Puppets

Memories of her white grandfather animate the 86-year-old legend's first play in a decade.

Seeing Red: Why “Cardinal” Is Not a Very Good Play

When a play is poor-to-middling, directors and casts can ratchet things up. Not here.
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