Tuesday, April 24, 2018
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Nottage’s Mlima, and His Tusks, Make Incredible ‘Tale’

A rondeau of scenes about the illegal ivory trade makes the case for action.

Outdated ‘Children of a Lesser God’ Falls on Deaf Ears

Sarah feels “split down the middle, caught between two worlds.” Because she is.

Why Ato Essandoh Will Have a Very Long Career

He cut his teeth in NYC's downtown theater. Now he's all over your TV screen.

‘Three Tall Women’: A Memory Play Through Class and Mirrors

Director Joe Mantello transforms Edward Albee's emotional exorcism into tremulous enchantment.

Andrew Garfield, Nathan Lane Lead a Celestial ‘Angels in America’

To quote Robert Browning: "Ah, but a man's reach should exceed his grasp, or what's a heaven for?"

How Indie Theater Like ‘Athena’ Suddenly Becomes a Hit

And why you can liken the production to farm-to-table cuisine.

Was Augustin Daly, 19th Century Theater Genius, a Secret Progressive?

Why director Alex Roe calls "A Marriage Contract," from 1892, an "indictment of prejudice, privilege and complacency."

Six Women Allege Physical, Emotional Abuse at Dream Theatre Company

"Jeremy continues to email me from about 10 different addresses, with marriage proposals, suicide threats and pictures of his dick."

As Racial Tensions Rise, Fuller’s “A Soldier’s Play” Stands Army Strong

Chatting with Charles Weldon, artistic director of the legendary Negro Ensemble Company.

20 Change-Making US Artists You Should Track During 2018

They are global spitfires -- artists making a difference -- and they are producing hope.

Miracle Village: Embodying Sex Offenders on the NYC Stage

This part of America may be hard to see, making it crucial not to look away.

Seeing Red: Why “Cardinal” Is Not a Very Good Play

When a play is poor-to-middling, directors and casts can ratchet things up. Not here.

30 International Artists You Should Track During 2018

They are global spitfires -- artists making a difference -- and they are producing hope.

Like Music, Broadway’s “Farinelli” Has Charms — and Mark Rylance

Was Spain's melancholy king, Philippe V, crazy? Or crazy like a fox? Only a castrato knew for sure.

Hirabayashi Lives On, Still Defending the US Constitution

A play set in World War II reminds us that our rights are only as strong as our resolve to defend them.

How “Mudbound” Smartly Deconstructs the Mammy Myth

No more whitewashing the history of forced black domestic labor under slavery.

Authoritarianism Rises Off-Broadway in “Describe the Night”

Playwright Rajiv Joseph offers an allegory for today's corrosive political climate and totalitarian rumblings.

Willimon’s Will: The DC Swamp (and Uma Thurman!) Take Broadway

No one sees and no one draws a moral line. Talk about a snake pit!

New Georges A.D., Susan Bernfield, Dips in “The Pool”

Susan Bernfield talks about jumping into The Pool and her play "Tania in the Getaway Van."

He Said, He Said: “M. Butterfly” Takes Wing on Broadway

Butterflies fly. And a man is a woman is a man is a woman is a man.
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